Typography | Task 3A
5.10.2021 (Week 7) - 26.10.2021 (Week 10)
Nur Allyssa Nabilah Binti Mohd Nizam / 0337796 / BDCM
Typography
Task 3A
LECTURE
For all the lecture notes, refer to this link:
https://lylydesigns.blogspot.com/2021/08/typography-task-1.html
<iframe src="https://drive.google.com/file/d/1rRo8Ij_IGxUt20_iGmLFlXN3wftxOTd6/preview" width="640" height="480" allow="autoplay"></iframe>
After the completion of Task 2, Mr Vinod briefed us on our next Task which is
Task 3A. In this task we are required to design a typeface for certain letters
and punctuation ( a i m e p y t g d o b ! , . ) based off a previously known typeface.
INSTRUCTION
Task 3A: Type Design and Communication
After the completion of Task 2, Mr Vinod briefed us on our next Task which is
Task 3A. In this task we are required to design a typeface for certain letters
and punctuation ( a i m e p y t g d o b ! , . ) based off a previously known typeface.
Before sketching out my idea, I decided to look at the 10 typefaces that were
given to us by Mr Vinod. I typed out each of the letters that we had to design
in each of the 10 fonts.
Part 1: Exploration Process
Figure 9.1 Typeface Study (10/10/2021)
After looking over the 10 typefaces, I decided to choose 3 out of the 10
typefaces that I liked and chose a few different setting for each
typeface and study them in an even more detail. In the below image are the
fonts that I decided to study an even further.
Figure 9.2 Chosen Typefaces (10/10/2021)
With the chosen fonts, I started sketching out my font design. Below are 3
sketch designs that I did inspired by 3 typefaces that I chose which is
Futura Std, Univers Lt Std, Bodoni Std.
Figure 9.3 My Typeface Sketches (11/10/2021)
Figure 9.4 My Typeface Sketches 2 (14/10/2021)
Even after doing further exploration, I still decided to go with the font that
Mr Vinod mentioned was doable. Below is the typeface that I chose.
Figure 9.5 Chosen Typeface (15/10/2021)
Figure 9.6 Bodoni Typeface Deconstruction (15/10/2021)
Part 2: Digitizing Process
Figure 9.7 Digitizing Process Part 1 (16/10/2021)
Figure 9.6 Digitizing Process Part 2 (16/10/2021)
Figure 10.1 Digitizing Process Part 3 (16/10/2021)
Figure 10.2 Digitizing Process Part 4 (16/10/2021)
After the digitizing process, I found that I made some changes from my
sketch into my digitized work.
Changes made in comparison to my sketch:
- I decided to change the letter y's shape
- I added small squares at the tip of the letters e, t, y and g to have a more sense of unison for the overall font
Figure 10.3 Carrée Font (16/10/2021)
After Mr Vinod gave feedback on my digitized font designs, I made the
necessary amendments. The picture below is my official digitized font
design.
Figure 10.4 Carrée Typeface Outline (20/10/2021)
Figure 10.5 Carrée Typeface Digitized (20/10/2021)
After completing my digitized typefaces, I downloaded the application
Fontlab 5 that Mr Vinod asked us to use to make our typefaces into
useable fonts.
Part 3: Font Making Process
As I was following the video tutorial given by Mr Vinod, I had an issue by
pasting my shape from Adobe Illustrator into the Fontlab 5 application. In
the short clip below it shows the issue that I wasn't able to paste my
letter into the provided space in Fontlab 5.
Figure 11.1 Fontlab 5 issue (22/10/2021)
Since neither Fontlab 5 or Fontlab 7 wanted to work with me and I was
running out of time, I decided to scratch using the Fontlab application and
go with the alternative option which was to use the website that Mr Vinod
suggested to use which was Calligrphr.
Figure 11.2 Calligraphr Demo (24/10/2021)
After watching the video given by Mr Vinod, I started using the website to
produce my font design. Below are screenshots of my progression for
developing the font in the website Calligraphr.
Figure 11.3 Calligraphr Progression 1 (24/10/2021)
After signing up for the website, I followed the first step which was to
download the PDF template. I renamed the PDF template to my font name and
I downloaded it.
Figure 11.4 Calligraphr Progression 2 (24/10/2021)
After downloading the PDF template, I opened it into my Adobe Illustrator
and began pasting all my letters into the spaces provided. I then saved
the PDF file and imported back the PDF file into the website. The attached
PDF document below is my letterforms in the template given by the
Calligraphr website.
Figure 11.6 Calligraphr Progression 4 (24/10/2021)
After importing the PDF file into the website, I decided to check and
adjust on each of the letter whether in is perfectly on the baseline.
Figure 11.7 Calligraphr Progression 5 (24/10/2021)
Finally after completing the process of readjustments, my font was
ready to be downloaded and used.
As I have completed my font design and converted it into a font I
decided to test the fonts that I made and typed out a test phrase for
my font.
Figure 12.1 Testing Phrase (25/10/2021)
Final Part: Task 3A Submissions
Font Download Link:
FEEDBACK
Week 8 (Independent Learning Week)General Feedback:
Mr Vinod looked over some of the typeface sketches.
Specific Feedback:
Mr Vinod adviced me to do more exploration and sketch out even more
typeface designs. Based on the sketches that I have done he said that the
3rd sketch is the most doable one just that I should decrease the
descender line so I wouldn't have any issues of creating it in Fontlab
later.
Week 9
General Feedback:
Mr Vinod looked over our digitized typeface sketches.
Specific Feedback:
He found my typeface to be interesting just that for my letter
g's o shouldn't rest on the baseline. My comma shouldn't be a
thin line and my !'s .(dot) and |(line) should have more space
between them. He also mentioned that the letter 't' should have a
smaller space.
Week 10
General Feedback:
Mr Vinod looked over our final submission for our fonts
Specific Feedback:
By Mr Vinod:
Good research process. The font has a high contrast with thick and thin lines. Re: the FontLab issue, sometimes, the letter form has been pasted but you can see it in the window, so you have to zoom out to locate where it has been pasted and drag it to the centre of the bearings (guide lines). I hope this helps. It should work. I hope you watched the FontLab 5 vid as well, it helps to drop your X & Y guides next to your letter when copying into Fontlab. Poster lacked alignment, composition can be better. Other than that the font is pretty consistent in look and feel albeit a little on the simplistic side.
REFLECTION
For this very task I found it actually quite fun yet tiring. I'm quite
disappointed that I wasn't able to access the Fontlab application like
how my other classmate were able too and to resort into the alternative
option. Honestly speaking looking back at my useable font, I found that
there are still some flaws here and there that I wish I could fix.
Overall this task has taught me new things and even though it was quite
tiring process I actually enjoyed it.
FURTHER READING
I decided to read a page of the subheading The Anatomy of Typography.
In the page I read, it talked about the Historical Classifications of the
Typefaces. I found that there are 9 classifications which are:
- Old Style
- Italic
- Transitional
- Modern
- Egyptian
- Grotesque
- Neo Grotesque
- Humanist
- Geometric

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